Windfall Show at CAFAM, May 28th

It’s almost here! Our exhibition at the Craft & Folk Art Museum opens at the end of the month and we hope you’ll join us. We’ve been working hard on a diverse body of work for this show, incorporating locally sourced wood from the massive storm that felled many trees throughout Los Angeles in 2011.

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Windfall features new furniture and functional objects from members of the Los Angeles-based Box Collective, a group of designer-makers dedicated to creating innovative objects from reclaimed and sustainably sourced wood. The works in the exhibition were fabricated from trees that fell in northeastern Los Angeles during the historic windstorm of 2011. Ten members of the group will have works on display: Robert Apodaca, Casey Dzierlenga, Harold Greene, David Johnson, RH Lee & JD Sassaman, Samuel Moyer, Andrew Riiska, Stephan Roggenbuck, Cliff Spencer, and William Stranger.

The opening reception for Windfall by Box Collective takes place on May 28, 2016 from 6:00 – 9:00 p.m. The reception is free for CAFAM members and open to the public for a $12 entry fee.

CAFAM Visit

We had a visit with the nice folks at the Craft and Folk Art Museum this week to discuss our show which will take place  there the Summer of 2016. It also gave us a chance to see how our desk is doing in the space. Very well I might say!

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Arts & Crafts Kitchen Table

I’ve been interested in Arts & Crafts lately. I suspect being near Pasadena has been an influence. Expect to see some of its details showing up in my work but with a modern perspective.

Here is a kitchen table that is on its feet for the first time.

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Weaving Workshop by Sidecar Furniture

Sidecar Furniture will have a Danish cord weaving workshop at Off the Saw on August 9, 2014.  Students will be provided with a FSC white oak stool made by Sidecar Furniture and a spool of Danish cord.  During this all day class students will learn the craft of Danish cord weaving and take home a stool they have woven themselves.  Details can be found here.

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LA Box Collective’s Fourth Year at AltBuild Expo in Santa Monica

LA Box Collective's Fourth Year at AltBuild Expo in Santa Monica

We look forward to seeing you there! Meet many of the members, working to support sustainable local designer-makers in Los Angeles.

CAFAM Desk Debut

Tomorrow night the entry desk that the L.A. Box Collective built for the Craft and Folk Art Museum debuts to the public for the first time! It has been over a year in the making but has finally made it from its initial concept sketches to reality. But you didn’t think we’d spoil the surprise, did you? You’ll have to go to the opening to see it in its final form!
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Join us at CAFAM for the opening reception for “Social Fabric and Scratching the Surface: Contemporary Wood Sculpture” and also check out the debut of the desk. The opening goes from 6-9pm and admission is $12 (or free if you are a museum member.) If you’d like to see the desk any other time for free just pay a visit to the CAFAM Museum Shop which also happens to be selling some smaller BoxCo pieces.

What I’m working on now

Drawers are such a piece of cake.
Not for me of course.  But in general, drawers are so cheap.  You can buy the boxes on the internet for less than what it costs me to actually buy the materials.  No joke, that’s real.  Just google it.  You’ll be stunned.  Or maybe you won’t.  After all, I’m a furniture making nerd, so the things that stun me are weird.  Then you just screw your drawer face material to your internet made drawer box, and you’re in business.  Fat city.  It’s such a damn utilitarian thing, a drawer.  You put the crap in it that you don’t want to have lying around, you close the drawer, and presto!  Less clutter in your house.  Also, from a fabrication perspective, drawer boxes are precisely the thing that plywood is perfect for.  You need thin, strong, consistent swaths of material that can make, well, a box.  With plywood you just cut out the shapes you need and join them together.  With the right router jig, you can even make dovetails, and even fancier joinery.
But, and I bet you didn’t see this coming, it just doesn’t sit right with me.  Drawers off the assembly line.  pure function and efficiency over form.  It’s this kind of thinking that has really kept me waltzing right around the poverty line for a good long time.  It’s really hard to be an artisanal (dare I say artistic?) furniture maker and not make some bad decisions vis-a-vis price-to-product ratio.

Drawer side and box joint jig.

Drawer side and box joint jig.

See, if I was a good businessman, I’d be ruthlessly about my bottom line, and all else would fall into place from there.  That’s not so hard to do when you’re going through your accounts, making your estimates, sourcing your materials, competing against a lousy economy for a job.  But when you get in the damn shop, and you know you have to make the right choice to do better than break even, it’s not so simple.  It’s hard to automate instead of express.  Inevitably (and I should really know myself by now) I choose to do what I see as the right thing artistically at the expense of the bottom line.
Witness, the chest of drawers I’m currently building.

A stack of box-jointed solid wood drawers
A stack of box-jointed solid wood drawers

I love making these box jointed drawers.  But I can never pay for them.  They’re solid wood everywhere, including in the bottom, where you could so easily hide plywood.  They’re so much harder to install, because you can’t use an applied face to cover your mistakes.  The face of the drawer is the front of the box.  Period.  But I also can’t help but believe that they are nicer for it.  I feel better making them.  I just can’t take you out to dinner with the proceeds.  Thanks for understanding.

Cradle type base for the chest of drawers I'm making.

Cradle type base for the chest of drawers I’m making.  In ze glue up phase.  I got that massive clamp at the San Bernardino flea market for a dollar.  I love that thing.

my main assistant, and primary counselor, hard at work on her chew toy.

my main assistant, and primary counselor, hard at work on her chew toy.